It was a really smart script, and the project came up just as I was finishing season 1 of What We Do in the Shadows. In this instance, I got to learn about the New York City art world, which added to the fun and excitement. “I’m attracted to projects where I get to learn something new. Shawn was interested in this project because he’d been a fan of Natalie’s work and immediately loved the script. Because it’s certainly an endurance test.” Organic chemistry ![]() ![]() Shawn helped guide me through the process without losing hope or steam. And even if it starts getting better, it’s still emotionally taxing. When you watch the first assembly and think about what you had in your mind versus what’s really there, you feel like you’re having a bad day for a longer time. “But it turns out that post is a lot like writing. “When you’re shooting, you can have a bad day and then the next day is totally different,” Natalie says. A successful novel kick started her career, and she moved on to television, writing for shows like Grey’s Anatomy and Gossip Girl. Natalie came to directing by way of writing. And Shawn was wonderful as someone who had been through it.” “The post process was something that I didn’t have much experience with. Everyone falls in love-not just skinny blonde girls.” Natalie offers advice to Geraldine Viswanathan (Lucy)īeyond Shawn’s resume and love for the script, one of the reasons Natalie elected to work with him was because she was less secure about the editing process than about directing the live action. “That’s the common thing we have, no matter our ethnicity or religious background. “Stories happen to everyone,” Natalie says. Guatemalan-born Arturo Castro has a substantial role in the film, as does Saturday Night Live’s Ego Nwodim, an African-American woman. Her mother is played by Sheila McCarthy, a Canadian, who is not. Her choice for Lucy was Geraldine Viswanathan, who is Australian of Indian/South Asian heritage. Natalie’s casting was intentionally colorblind which, she says, actually made it far easier for her to reflect the world we live in. Everyone falls in love-not just skinny blonde girls.” It’s Lucy’s story, a classic in the vein of His Girl Friday, where the Cary Grant role is that of straight man to Rosalind Russell’s irrepressible energy, wit, and sass. Along the way, she makes mistakes, but is never defeated by her failures. Dumped early on by a man who has both stolen her heart and her business ideas, she navigates through her sadness by pouring her energy into creating a gallery of her own. But, for context, the main character, Lucy, is a Gen Z aspiring gallery owner. Shawn wanted to take care of it, not take it over.” Shawn Paper, ACE, at his editing station.įor anyone who hasn’t seen The Broken Hearts Gallery yet, no spoilers. “We wanted to have as many female voices as we could, but what was most important to me was that anyone who worked on the film understood what we were trying to do. “When I had my very first conversation with Shawn, it was immediately clear to me that he got the script and understood it and loved it,” Natalie says. Shawn has edited a number of shows that feature unconventional female protagonists, including the television series Girls, VEEP, and I Feel Bad, as well as series that incorporate rom-com story lines, such as Ugly Betty and Mozart in the Jungle. ![]() Natalie Krinsky with the cast of The Broken Hearts Gallery. And that was how she hired her crew, as well. First, consider their workĭuring casting, Natalie looked more at the actors’ body of work than at their auditions because she wanted to get a sense of their range and capabilities. We were lucky enough to speak with both Natalie and Shawn about what mattered to them as they created a film that represents contemporary America-and the way our industry can (and should) work. Which also means that while casting and hiring crew, Natalie focused more on who was right for the role or the job and less on gender or race. What’s even better is that while she was intentional about working with a diverse crew and cast, it was not only easy to accomplish, but resulted in a more authentic film.īut while many of the key crew were women, editor Shawn Paper ACE is not. The Broken Hearts Gallery, writer-director Natalie Krinsky’s first feature, ticks both boxes. One of the many topics in the forefront of industry-related conversations has been around diversity in filmmaking-both in front of and behind the camera.
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